Scrappy Trip Around the World Blocks

Remember this project?

This was how many blocks I had done in August.

For the next set, I matched up more strips sets sorted by colour.

My sister had given me this color tool and I finally thought to use the red and green filters to check values so I didn't have to take a hundred pictures and convert them to black and white.

That saved a lot of time!

By the end of December, I had this many blocks:

At this point I was running out of darker fabrics because the blocks use a lot more of it than the lighter fabric. So I thought, maybe I should make some light blocks, like this:

I put it on the wall to see how it would look:

I also wondered about making every other block a light one.

We'll see.

In mid-January, I worked on the heart. I didn't like the dark lines going through the middle.

I made some replacement blocks:

but I still didn't like how it looked. The diagonal lines didn't match up; the red is too thick on those blocks. So I took apart the blocks and reassembled them:

That's better!

I'm not promising this quilt will even have a heart on it, but if it does it will be one I like! ;)

And now the blocks are packed away in a box as I needed to put my Lucy Boston up on the wall. The ideas can marinate while I work on other projects.

Plaidish Quilt has been Finished; Now Blogged

If you're keeping track, you'll know I titled my May 22 post "Close to a Finish" and then never mentioned the project again!

Well, I did finished the project soon after, and even took pictures. But then, you know, life.

So without any further delay, here is my finished Plaidish quilt:

Final measurements are 62x79".

The simple quilting follows the piecing and gives a good texture without competing with the design.

It's kind of the obvious choice, but it works.

A couple more shots from when it was hanging:

I've mentioned that the binding was a juvenile novelty print but it was so narrow, you can hardly tell.

I'll repeat myself by saying again how much fun this pattern was. Give it a try! (Details and link below.)

The pattern has stuck in my head and I often think about how to do a one or three colour version. It's fun to see different versions pop up on Instagram. (Check out #plaidishquilt.)

Here's a picture of the quilt on my (queen size) bed:

It generously covers the top, but isn't wide enough to hang over the edge.

Project summary

Started: July 30, 2019

Finished: May 24, 2020

Size: 62"x79"

Pattern: Plaidish by Kitchen Table Quilting

Almost 100% scraps with a few pieces from fat quarters.

Cotton batting.

Walking foot quilting on my Viking Sapphire.

All blog posts about this quilt: link

Scrappy Trip Around the World Begins

Remember the Quilty Adoption Event in April? I wrote about the first item I adopted -- a quilt top that I disassembled and sewed the blocks in a new layout -- and in that post, I mention a second item, but haven't written about it since.

If you follow me on Ingstagram, you will recognize these strips that I adopted:

It was a big box of single 2" strips, loosely sorted from light to dark and a bunch of strip sets already sewn together. There's a project the sewn sets were intended for and I'm still deciding if I will go ahead and make it, or use these strips for something else.

Meanwhile, I took the single strips and sorted them in groups from light to dark.

I then sorted those groupings into five gradations I called light, light2, medium, medium2, and dark because I needed five different groups to make a trip-around-the-world (TATW) block.

I have become enamored with the scrappy TATW blocks popularized by Bonnie Hunter. (Link to her tutorial.) These blocks I'm making have a similar effect but with a little more order to them because of how the lights and darks are placed.

For the first set of blocks (above) I created sets by pulling similar colours from each of the five categories. That was enough to show me that I was going to have to do a little more pre-sorting if the sewing was going to be any fun.

So I took the five gradations, and sorted each one into different colour families.

Some of the strips are in more than one colour group, and sometimes it's a stretch when a fabric is multicoloured but I had to put it somewhere. Above, clockwise from top left, is, purple, blue, red, yellow, and green.

This was the first layout I tried on the design wall, just to have a proof of concept.

The project sat for a while then and while it was sitting, I thought I would try to make strip sets ahead of time so the sewing would be even easier. It was just too hard to see if the fabrics contrasted enough when I grabbed strips while I was sewing.

So, recently, I sat down and pulled out one colour group at a time and made some sets. For the first colour group, I did it just by eye, but then realized I should be putting my camera to use.

In this photo, the strips in colour are a bit of a jumbled mess, but when I convert them to black and white, I think the contrast is just what I need. (In this case, M-M2-D-M2-M, as in medium, medium2, dark, medium2, medium.)

In this next set, I think it looks good in colour, but the black and white shows that the first two fabrics are pretty close in value. (I think I used this set anyway because my choices are limited.) This strip set is L-L2-M-M2-D.

In the next photo, I'm going for another L-L2-M-M2-D, and I think the fourth fabric looks darker than the third in colour. But in black and white, I think they are too similar to use.

The next picture is an example of M2-D-M2-M-L.

In the fourth position, there are actually two fabrics (buttons and a floral). I was trying to see which was better. Even though I think they are the same value, I think I went with the buttons because there was a little better contrast. The floral seemed to mush in with the other florals. And I think it's clear that even though the two reds in the first and third position look different in colour, in black and white, they are the same value.

The fabric strips are all different lengths and it didn't take long to realize that I needed to pay attention to how many inches of each combination I was going to get. For each inch of one strip set, I needed 2 inches of the other two strip sets for each block. I didn't worry about getting it exact but I couldn't be way off either. I sorted a lot of fabric and ended up with sets ready to sew.

Another day I tackled sewing some of the strip sets (below). I had tried to match strips of similar length, and just cut them to match the shortest length for easy sewing.

Once they were sewn I figured out how to iron the seams the right way, and cut each set into 2" pieces.

I stacked up the pieces to make blocks (seen at the top of the picture above), and then sewed those strips together.

And here we have my first set of blocks sewn from this process:

I have since sewn sets from two other colour families, and here they are on the design wall:

I don't know if this will be the final layout, but it's a fun way to put them on the wall for now.

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Linking up with Oh Scrap! hosted at Quilting is more fun than Housework.

Desk Warming Gift

I finished a little something.

We are in the process of moving our "office" desks from the dining room up to our bedroom, now that the bedroom is largely finished.

Troy recently finished his desk top (which he mounts on a pair of file cabinets). When he first sat down at it, he commented that he is going to need a mug rug to protect the desk surface.

Well, that is something I can take care of making! A few days later, I was in the mood for a small project that I could finish in short order and got to it.

I knew I had some leftover half-square triangles (HSTs) from my Merrily Christmas quilt top:

I had a bag of brown/tan HSTs and a bag with the green and red ones. I found the brown ones first, so those are what I used. And happily, that meant they were much less Christmas themed as well!

I pulled out all the HSTs from the bag and played with them until I had an arrangement I liked. Then sewed it together like a simple 16-patch.

I layered it with a layer of cotton batting on top (to absorb any moisture) and then a layer of wool batting on the bottom (to keep the moisture from soaking through). That's the theory anyway; I'll let you know if it works!

I backed it with some of my never ending supply of black leftovers and quilted it in echoed mitered corners.

My machine wasn't too happy with the thickness (or at least, that's what I assume it was). There were some flubbed stitches that you can see on the back.

I used the edge of the pressure foot to guide the distance between the lines and that happened to also cause the lines to fall along the seam lines. I had considered ahead of time whether to do the calculations to make this happen but decided to leave it to fate. And it worked out that way anyway. I wouldn't be surprised if the makers of pressure feet design them that way. (For example, making the edge of the foot 1/4" from the needle position would mean that it would line up with almost all blocks as they are general sized every 1/2".)

That is as far as I got the first afternoon. The next day I took the time to make binding from a piece of grey fabric I bought for my Lucy Boston project but didn't use. There wasn't enough for a double binding, so I just used a single thickness. It's not like this edge is going to get a lot of wear or have to stand up to much use.

I stitched it to the back so that the part that folded over to the front would be longer. Then when I stitched it by machine on the front, the stitching ran beside, but not over, the binding in the back.

I don't usually enjoy stitching binding by machine and am not usually happy with the result. (Those two things just might be related!) But for this one, I hand basted all the way around the front, right next to the fold. Then I could stitch just inside that stitching and nothing had a chance to shift or move. This isn't practical for a large quilt, but it was worth it to me for this project.

So now Troy has a mug rug for his desk, and since he's getting close to finishing my desktop, I have to start thinking about mine! I think I'll go look for those green and red leftover HSTs, Christmas themed or not...

Plaidish Done-ish

Picture from Kitchen Table Quilting.
Pattern is "Plaidish"

Remember the Plaidish Quilt I was working on?

It didn't take long after my last post about it to finish sewing all the blocks. Soon after that I took them to church and laid them out on the tables there:

I laid them out in whatever order they were piled up in. Although there wasn't much I could do to "organize" them in any particular way, I did a little rearranging based on colours but not very much. I did convert the picture to black and white to check my values.

My darks could be a lot darker, but it worked well enough. To get some pieces light enough, I used the back side of the fabric, but you don't have that option to make a fabric darker!

You may notice in the pictures above that there are two empty spots. Despite my organization and counting everything at least twice, I still ended up two blocks short! Maybe that had something to do with the fact that I was working on two quilts at once. ;) I had my extra bits and pieces (I cut more than I needed in some cases) with me so I put together the blocks while I had it all laid out.

This week I was itching to put them together and I managed to do so!

I don't have immediate plans to quilt it, so I hung it on my wall so I can enjoy it. One great thing about this scrap quilt is that I could use fabrics I categorize as "multi coloured". Most of my scrap projects are organized by colour and it's hard to use fabrics that have more than one major colour. In this quilt, it didn't matter as long as they were the same value.

Linking up with Oh Scrap! on Quilting is More Fun than Housework.

Bright Stars on Black Quilt Finished!

I mentioned I'd been working on the quilting of the Bright Stars on Black quilt but had to put it away while entertaining company. When I was ready for my living room to be taken over by my sewing machine and paraphernalia again, I brought it out and continued the job.

The first thing I did was figure out where my bright strips were going to go for the binding flange and then pieced the pieces together. I didn't have enough length or variety to match the colours of the inside stars, but I followed the general flow from one colour to the next as best I could.

I hand stitched the flange on all four sides to baste it in place and sewed the binding to the back instead of the front. That was so I could fold it over to the front,

 and use some more "big stitch" sewing to finish the binding.

I used two strands of floss (as I did in the center) and changed the colour to match the thread colour used for the stars in the border.

You can see the floss on the binding stitching
change from orange on the left to green on the right.

Although I did mitre the corners of the binding like usual, I simply overlapped the ends of the flange:

I like the colour it gives on the perimeter of the quilt, but the flange is rather sloppy, as you can see here,

 and here:

I think I could have pulled the flange tighter when I applied it (and that's what I'll try next time). Since this is put together already, I am considering sewing the flange down. It would be about the same amount of sewing as sewing a binding down. Or I could let go of perfection expectations and just enjoy a little "texture" on the quilt!

Before I sewed the binding on, I tucked in a hanging sleeve. The top is sewn in with the binding and the bottom is sewn by hand to the back of the quilt.

The sleeve doesn't run all the way to the edge of the
quilt. You leave a little room for the hanging hardware.

The sleeve was sewn from strips of the backing that were cut off the sides of the quilt. I had never thought of that before, but I'll keep it in mind. You often cut off about 4" when you trim a quilt and a hanging sleeve is usually made from an 8" strip. So sewing two of them together would usually work. (In case you're wondering why the hanging sleeve looks so loose, it's done on purpose to leave room for the hanging bar.)

Here is the quilt on a bed:

 The center part covers the width of the bed, and the border hangs over the edge nicely.

I didn't specifically plan for that it's not too surprising. By that I mean, if the centre had worked out to be much larger, I wouldn't have added a border. If it was much smaller, I would have added two borders. Although I didn't make it "for" my bed, I did want it to be a bigger quilt (without becoming a king size!)

I've shown the quilting I did in the center, but I don't think I've shown the borders. I did some dot-to-dot quilting between the border stars. (The straight lines below.)

I was going to echo the angle in the outer part of the border to get triangle shapes or maybe a zig zag, but when I drew it out (in chalk directly on the quilt) it just didn't work because I didn't put an equal amount of space between the stars. Then I thought of just going straight down the border adding simplified "line stars" wherever it seemed best. I liked it.

So I decided to add the same kind of stars between the centre stars. The first one I did had three "scattered" stars, not lining them up.

Then I realized it would be easier to just imitate the border stars and do the three of them on a continuous line:

That save me a few starts and stops.

At the sides where there was a little more space to fill up, I made a "T" at one end and added some stars there too.

In the areas where there was even more space, I again filled it in with scattered stars before realizing that three lines of stars would fill the space just as well. (Again, with many fewer starts and stops!)

Here is the entire quilt:

And the back:

The coloured floss is more visible to the eye than on camera, but I think you can get the idea.

Project Summary
This was a fun quilt to make. I started it in 2017 after two things happened. I saw the Pecking Order quilt tutorial from Missouri Star Quilt Company and my first thought was that it would look great with bright fabric on a black background. Then soon after, I got a lot of black fabric! (A lot!) The fabric didn't have the best feel to it, but it was sold as quilt backing so I decided it was good enough quality to use. It was all in small chunks (about 11x17) with a few very long strips (which were great for the borders and binding!)

Since all the center blocks units are the same (the stars are created with the arrangements of the units), I pulled out some scraps and made units to my hearts content. I thought I had kept track, but when I finally got to putting the top together, I had enough for two tops!! This gave me plenty to chose from to make stars from units with similar colours. And once I had the stars together, I laid them out to figure out the arrangement. I really like the ombre rainbow effect, but I didn't go into the project planning it.

I like to use leftovers from the front on the back, so that is where the flying geese (the triangles) come from. The rest of the back is pieced from the never ending black fabric. Like I said, it doesn't have the best feel, but I just couldn't justify using other fabric when I had all this black fabric to use up. I pieced two 7x14 pieces together to end up with a 14x14 square. (All finished measurements, in case you're wondering how that worked.) Then I sewed the squares together, alternating the seam from horizontal to vertical so that two seams never met.

I didn't keep careful track, but I am quite sure that I did not buy any new fabric for this quilt. It helps when you get a boatload of black to work with and the rest of the pieces can use small scraps. But I did approach the quilt with an attitude of using what I had and seeing what I could make of it.

Size: 91" square
Started: September 2017
Finished: August 2019
Batting: wool
Pattern: centre based on the Pecking Order quilt by Missouri Star Quilt Company. I designed the rest, including borders.