"Yellow Star on Blue" Wall Hanging

Last time I talked about this project was April when I completed the top and basted the layers together. Then I left it hanging on the display board.

I really can't remember over what time period I worked on the quilting, but by January 7 of this year, I had the center portion quilted:

.

I marked all of the lines with disappearing ink and free motion quilted it.

I repeated the back and forth lines on the outside of the star in the center as well, except I made the lines wavy to match what was going on with the fabrics. (This piecing was an improv technique learned at the class where I originally made the center star.)

I can't say I think it looks great. Now I know.

In the yellow part, I did curves from point to point that are similar to what was done in the yellow areas of the wall hanging I have been trying to match.

The only thing left to quilt was the outside border, which would be done in a "square in a square" pattern. I thought if I put the binding on first, I could make sure the points lined up exactly on the edge. But I didn't want to tackle the binding because it included piping and that was just a step to far at that point. So it was left hanging again.

Two things pushed me to pick it back up:

1. It was listed on my UFO (UnFinished Object) list in the Ravelry quilting group. I hadn't participated in the UFO Club in the summer and fall, but signed up again in January for the winter quarter, and even signed up for the "send" group. That means, if I finish a project, people would send me a FQ!! (FQ=fat quarter, a quarter yard of fabric. Well, never mind, it's fabric!) One member went so far as to tell me she had one that she had been saving for me--she knows I like elephants so I have reason to believe I'm going to like that one! ;)

2. Joy at the Joyful Quilter issued a "Table Scraps Challenge", with extra kudos for including the Rainbow Scrap Challenge colour of the month. Although I was making this project as a wall hanging, it could easily double as a table topper. And the colour for February was yellow!

Last week, I pulled this star off of the board and took a look at what it needed. Fortunately I had cut all the remaining pieces because without them, I would not have remembered my plan at all. I chose to use blue piping instead of yellow, in part because I just didn't have any more of the bright glaring yellow that I had used on the other one.

I pulled out my Piping Hot Binding book and tool and applied four strips of piping around the edge in pretty short order.

Then I realized the difficulty with quilting the outside border. The piping is designed to lift up--it's only sewn on one side. So do I line the points up with what was visible? Do I line them up with the actual seam (which was under the piping)? Further complicating it was that if I pulled the piping far enough back to not cover any of the points, the edge of the quilt wasn't going to be caught up in the binding seam. /big sigh

I just did the best I could, balancing the need to capture the raw edge and not covering up too much of the little squares.

After that was done, I trimmed the quilt and applied the first two sides of the binding. Then, thankfully, I tried to fold the binding over the edge to see how it would look...it was too small! It also happened that the binding lined up so that a seam would land exactly at a corner--not good! Obviously, I was going to have to remove it and try again.

On another day, I gave my seam ripper a workout and removed the binding. I trimmed the quilt with the smaller setting on the tool and started again, making sure to shift where I placed the binding! No seams landed at the corners and all was good.

I gave myself one more problem before I finished...when I cut the binding to attach the end to the beginning, I measured perfectly and then cut the angle the wrong way. So instead of the two edges aligning,

they made a big empty triangle. 

Did I throw up my hands and walk away? No, I did not. I sewed in a short piece of binding to fill in the gap, thus giving myself more opportunities to practice the skill.

Then it was done. Oh wait. No. I had to sew the binding to the back, which I did by hand. That was done during daylight hours considering it was dark blue thread on busy fabric.

As with the first wall hanging, I sewed two triangles on the top corners for hanging:

You slide the ends of a dowel under the triangles and it holds the quilt up. On smaller pieces, it's a nice way to avoid having to do a hanging sleeve along the entire top edge.

And here are the two pieces together:

I have to admit I didn't really like how the blue and yellow in the outside border lined up on the two of them. (I have no memory if that was a conscious choice or if that's just the way it turned out.)

But when I displayed them side by side, I liked it a lot more:

There were several design things that went wrong on this latest piece. Some I corrected and some I left. Now that's it's finished, I think it would have been a stronger piece and a better match to the first if the light blue area around the star was filled in with dark blue squares instead. But when I made the original block,

I didn't know this was what I was going to be doing with it! :)

It was an interesting challenge to try and make a match to the first piece a few years later. I still had some of the same fabrics, but had to find substitutes for others. Some things I had to piece together to have enough (like the backing) and other things were solved by a combination--did you notice the narrow yellow border is different on the second one? I had to find a second fabric to have enough to go all the way around. I ended up piecing the fabrics together so that the original is in the  middle of each side and the new fabric is in the corners. (You can see it in the detail pictures of the piping above.)

Linking up with the Joyful Quilter February Table Scraps Runner/Topper Challenge, and

Quilting is more fun than Housework Oh Scrap!

Project summary

Started: Center block made June 21, 2018; wall hanging started February 23, 2020

Finished: February 19, 2021

Size: 18"x18"

Pattern: my own

Material: 100% scraps, almost all cotton quilting fabrics

Cotton batting.

Walking foot and free motion quilting on my Viking Sapphire.

All blog posts about this wall hanging: link

Desk Warming Gift

I finished a little something.

We are in the process of moving our "office" desks from the dining room up to our bedroom, now that the bedroom is largely finished.

Troy recently finished his desk top (which he mounts on a pair of file cabinets). When he first sat down at it, he commented that he is going to need a mug rug to protect the desk surface.

Well, that is something I can take care of making! A few days later, I was in the mood for a small project that I could finish in short order and got to it.

I knew I had some leftover half-square triangles (HSTs) from my Merrily Christmas quilt top:

I had a bag of brown/tan HSTs and a bag with the green and red ones. I found the brown ones first, so those are what I used. And happily, that meant they were much less Christmas themed as well!

I pulled out all the HSTs from the bag and played with them until I had an arrangement I liked. Then sewed it together like a simple 16-patch.

I layered it with a layer of cotton batting on top (to absorb any moisture) and then a layer of wool batting on the bottom (to keep the moisture from soaking through). That's the theory anyway; I'll let you know if it works!

I backed it with some of my never ending supply of black leftovers and quilted it in echoed mitered corners.

My machine wasn't too happy with the thickness (or at least, that's what I assume it was). There were some flubbed stitches that you can see on the back.

I used the edge of the pressure foot to guide the distance between the lines and that happened to also cause the lines to fall along the seam lines. I had considered ahead of time whether to do the calculations to make this happen but decided to leave it to fate. And it worked out that way anyway. I wouldn't be surprised if the makers of pressure feet design them that way. (For example, making the edge of the foot 1/4" from the needle position would mean that it would line up with almost all blocks as they are general sized every 1/2".)

That is as far as I got the first afternoon. The next day I took the time to make binding from a piece of grey fabric I bought for my Lucy Boston project but didn't use. There wasn't enough for a double binding, so I just used a single thickness. It's not like this edge is going to get a lot of wear or have to stand up to much use.

I stitched it to the back so that the part that folded over to the front would be longer. Then when I stitched it by machine on the front, the stitching ran beside, but not over, the binding in the back.

I don't usually enjoy stitching binding by machine and am not usually happy with the result. (Those two things just might be related!) But for this one, I hand basted all the way around the front, right next to the fold. Then I could stitch just inside that stitching and nothing had a chance to shift or move. This isn't practical for a large quilt, but it was worth it to me for this project.

So now Troy has a mug rug for his desk, and since he's getting close to finishing my desktop, I have to start thinking about mine! I think I'll go look for those green and red leftover HSTs, Christmas themed or not...

Coming Close to a Finish

You would think spring would be a time of new beginnings, but I seem to be in a finishing mood. Maybe I am clearing space to make room for something new.

Last summer I made the plaidish quilt top. Something I saw on Kitchen Table Quilting's IG account and had to make right now. She made it easy by offering the pattern for free! (Link here.)

I used almost 100% scraps of every colour and multicolour. I love how this comes together.

Then in February, I brought the quilt to our family crafting retreat and basted it.

It's been siting like that ever since. (Not the best idea as folds and wrinkles could set it, but you can only do what you can do.)

I wasn't completely sure how I wanted to quilt it. I settled pretty early on simple straight lines, but in the ditch? echo the seams? random spacing? It's been on my mind to finish lately so I finally decided to quilt on both sides of each seam.

I used the edge of the walking foot the judge the spacing and the lines ended up about a half inch from the seam. While I was quilting, I decided not to quilt inside the smallest width strips.

It was pretty short work to quilt the lines in both directions over two days. (Was it possibly more time clearing the table and putting stuff away to make room for it than actually quilting? Maybe.)

I was really chuffed with how straight the backing and front lined up. The vertical lines line up with the trunks perfectly!!

For the outside edge, I basted close to the edge, but did not sew the quilting line.

Once everything was quilted (except those outside lines), I trimmed the quilt. I had just watched a tutorial from Erica at Kitchen Table Quilting and followed her method. Start with the corners with the biggest square ruler you have.

Trim along two sides of the ruler and now you know that your corners are square. Then use the longest ruler you have to trim the sides, lining up with the cut edges. It worked great.

Then I sewed the binding on:

I went with the most ridiculous binding fabric: a really juvenile alphabet print. I don't do novelty prints and I really don't do juvenile novelty prints, so I'm sure this was gifted fabric from one of my sisters. After auditioning a few fabrics for the binding, I preferred the tone of these colours with the quilt. And I was doing a really narrow binding, so you would have to look really close to even know what it was. (And it uses up a yard or so of fabric I won't use otherwise!)

After it was sewn to the front of the quilt, I pressed it back:

Then I went back and sewed the quilting lines on the edges.

Now those lines are parallel to the binding and I look like a brilliant quilter.

Really I just have clever cousins who shared this quilting hack at our last retreat!!

And now I'm on the final step: hand sewing the binding to the back.

I wasn't quite as pleased with how the binding fabric looked with the backing fabric, but it's not terrible.

Look for a(nother) finished quilt soon!

Linking up with Alycia Quilts "Finished (or not) Friday"

Elephants : Quilted, Bound, and Done!

Last time I showed the Elephant Squares quilt I'm making, it was being pin basted. I think the first time I found time to work on the quilting, I was supposed to be packing for a trip but Troy was napping in the bedroom. What can ya do? ("Quilt" is always the answer.)

I found a rainbow variegated thread in my stash that matched the colours. I'm not crazy about the look of variegated threads, but I was happy to use something I already had and it did match really well. It was a 30-weight (meaning thicker) thread so it did show up nicely on the front.

I put on my walking foot and stitched on both sides of each seam.

I got through the one direction in about an hour and finished the other direction on another day.

I was disappointed that even though I used the walking foot, the fabric was still distorted.

Can you see how the middle seam (from top to bottom between the pink and blue, the left polka dots and right polka dots, and then the green and pink) is lower than the seams on the left and right sides of the polka dots? It definitely was off enough that it affected the stitching going in the other direction because the seam wasn't straight anymore. I'll have to see what more I can do to control the fabric movement (on the next quilt).

I ran into one snaffu. While quilting, the edge of the backing fabric got caught up in the stitching.

I was not happy about the thought of undoing all those seams and sewing them again. (The variegated thread wouldn't match; there would be all these starts and stops in the quilting.) But then I realized that all of the fabric folded back under the sewing was excess fabric. (You always make the backing bigger than the top and cut it off at the end. It works better; trust me.)

So I took some sharp scissors and cut the fabric away right beside the seam:

Then I took a thin tool I have and ran it along the seam on the other side pulling the fabric from under the seam:

Here, no longer a problem:

I did that to the fabric everywhere it was caught under some stitching and got it all straightened out:

Ok, it looks like a mess, but that's all getting cut off anyway!

Once the quilting was done and the quilt trimmed, it was time for the binding. I had been thinking about this a lot because the colours of the front and back aren't perfectly agreeable. I thought about a red to match the backing (or some of the backing itself) but the only red on the front are a few of the elephants. Not enough for a red binding to look good.

I finally decided that I would use the blue from the front. It would match the back well enough. But when I looked, there certainly was not enough blue. (I only started with a fat quarter, after all!) My next idea was to do a scrappy binding with the four solid colours from the front. Would there be enough?

I looked at what I had:

One strip of each colour. But they were a little more than 5 inches wide and about 20 inches long. So I could get about 40 inches of 2.5 inch binding from each of them. Was that enough? I measured a side of the quilt and it was about 35 inches. Since there are four sides at 36 inches and four colours of binding with 40 inches...yes there was enough!!

I cut them up and sewed them end to end.

Since I didn't have a lot of extra, I did a perpendicular seam instead of a bias one. I might have anyway because I liked that the colour changes were straight perpendicular lines instead of an angle.

I decided to sew the binding to the back of the quilt first,

and then flip it to the front to be sewn by hand.

I had been thinking I would sew it by machine while I was making it, but near the end I had the idea to hand stitch it with some visible big stitch sewing with the variegated thread.

I like it! I had some issues sewing down the corners with the visible running stitch until I realized I should sew the miter folds of the corners before I sew the edges down with the running stitch. That fixed it.

And here is the quilt:

It's fun to step back and see all the elephants marching across the quilt. :)

Here's the back (for the record):

I used a solid thread on the back that matched the red. And yes, those are gloves on my hands. Yes, it was freezing. I couldn't feel the tips of my fingers by the time I was done taking pictures. So cold!

I did not planning at all for where the binding colours would land. Sometimes it matched a block,

and sometimes it didn't.

The only thing I did plan for was to end with a green strip so there would be less green when it got trimmed. (Sorry, green. I'm just not that into you.)

I still have to wash the quilt and make a label. But that doesn't keep it from being done. :)

Bright Stars on Black Quilt Finished!

I mentioned I'd been working on the quilting of the Bright Stars on Black quilt but had to put it away while entertaining company. When I was ready for my living room to be taken over by my sewing machine and paraphernalia again, I brought it out and continued the job.

The first thing I did was figure out where my bright strips were going to go for the binding flange and then pieced the pieces together. I didn't have enough length or variety to match the colours of the inside stars, but I followed the general flow from one colour to the next as best I could.

I hand stitched the flange on all four sides to baste it in place and sewed the binding to the back instead of the front. That was so I could fold it over to the front,

 and use some more "big stitch" sewing to finish the binding.

I used two strands of floss (as I did in the center) and changed the colour to match the thread colour used for the stars in the border.

You can see the floss on the binding stitching
change from orange on the left to green on the right.

Although I did mitre the corners of the binding like usual, I simply overlapped the ends of the flange:

I like the colour it gives on the perimeter of the quilt, but the flange is rather sloppy, as you can see here,

 and here:

I think I could have pulled the flange tighter when I applied it (and that's what I'll try next time). Since this is put together already, I am considering sewing the flange down. It would be about the same amount of sewing as sewing a binding down. Or I could let go of perfection expectations and just enjoy a little "texture" on the quilt!

Before I sewed the binding on, I tucked in a hanging sleeve. The top is sewn in with the binding and the bottom is sewn by hand to the back of the quilt.

The sleeve doesn't run all the way to the edge of the
quilt. You leave a little room for the hanging hardware.

The sleeve was sewn from strips of the backing that were cut off the sides of the quilt. I had never thought of that before, but I'll keep it in mind. You often cut off about 4" when you trim a quilt and a hanging sleeve is usually made from an 8" strip. So sewing two of them together would usually work. (In case you're wondering why the hanging sleeve looks so loose, it's done on purpose to leave room for the hanging bar.)

Here is the quilt on a bed:

 The center part covers the width of the bed, and the border hangs over the edge nicely.

I didn't specifically plan for that it's not too surprising. By that I mean, if the centre had worked out to be much larger, I wouldn't have added a border. If it was much smaller, I would have added two borders. Although I didn't make it "for" my bed, I did want it to be a bigger quilt (without becoming a king size!)

I've shown the quilting I did in the center, but I don't think I've shown the borders. I did some dot-to-dot quilting between the border stars. (The straight lines below.)

I was going to echo the angle in the outer part of the border to get triangle shapes or maybe a zig zag, but when I drew it out (in chalk directly on the quilt) it just didn't work because I didn't put an equal amount of space between the stars. Then I thought of just going straight down the border adding simplified "line stars" wherever it seemed best. I liked it.

So I decided to add the same kind of stars between the centre stars. The first one I did had three "scattered" stars, not lining them up.

Then I realized it would be easier to just imitate the border stars and do the three of them on a continuous line:

That save me a few starts and stops.

At the sides where there was a little more space to fill up, I made a "T" at one end and added some stars there too.

In the areas where there was even more space, I again filled it in with scattered stars before realizing that three lines of stars would fill the space just as well. (Again, with many fewer starts and stops!)

Here is the entire quilt:

And the back:

The coloured floss is more visible to the eye than on camera, but I think you can get the idea.

Project Summary
This was a fun quilt to make. I started it in 2017 after two things happened. I saw the Pecking Order quilt tutorial from Missouri Star Quilt Company and my first thought was that it would look great with bright fabric on a black background. Then soon after, I got a lot of black fabric! (A lot!) The fabric didn't have the best feel to it, but it was sold as quilt backing so I decided it was good enough quality to use. It was all in small chunks (about 11x17) with a few very long strips (which were great for the borders and binding!)

Since all the center blocks units are the same (the stars are created with the arrangements of the units), I pulled out some scraps and made units to my hearts content. I thought I had kept track, but when I finally got to putting the top together, I had enough for two tops!! This gave me plenty to chose from to make stars from units with similar colours. And once I had the stars together, I laid them out to figure out the arrangement. I really like the ombre rainbow effect, but I didn't go into the project planning it.

I like to use leftovers from the front on the back, so that is where the flying geese (the triangles) come from. The rest of the back is pieced from the never ending black fabric. Like I said, it doesn't have the best feel, but I just couldn't justify using other fabric when I had all this black fabric to use up. I pieced two 7x14 pieces together to end up with a 14x14 square. (All finished measurements, in case you're wondering how that worked.) Then I sewed the squares together, alternating the seam from horizontal to vertical so that two seams never met.

I didn't keep careful track, but I am quite sure that I did not buy any new fabric for this quilt. It helps when you get a boatload of black to work with and the rest of the pieces can use small scraps. But I did approach the quilt with an attitude of using what I had and seeing what I could make of it.

Size: 91" square
Started: September 2017
Finished: August 2019
Batting: wool
Pattern: centre based on the Pecking Order quilt by Missouri Star Quilt Company. I designed the rest, including borders.