Scrappy Trip Around the World Blocks

Remember this project?

This was how many blocks I had done in August.

For the next set, I matched up more strips sets sorted by colour.

My sister had given me this color tool and I finally thought to use the red and green filters to check values so I didn't have to take a hundred pictures and convert them to black and white.

That saved a lot of time!

By the end of December, I had this many blocks:

At this point I was running out of darker fabrics because the blocks use a lot more of it than the lighter fabric. So I thought, maybe I should make some light blocks, like this:

I put it on the wall to see how it would look:

I also wondered about making every other block a light one.

We'll see.

In mid-January, I worked on the heart. I didn't like the dark lines going through the middle.

I made some replacement blocks:

but I still didn't like how it looked. The diagonal lines didn't match up; the red is too thick on those blocks. So I took apart the blocks and reassembled them:

That's better!

I'm not promising this quilt will even have a heart on it, but if it does it will be one I like! ;)

And now the blocks are packed away in a box as I needed to put my Lucy Boston up on the wall. The ideas can marinate while I work on other projects.

Plaidish Quilt has been Finished; Now Blogged

If you're keeping track, you'll know I titled my May 22 post "Close to a Finish" and then never mentioned the project again!

Well, I did finished the project soon after, and even took pictures. But then, you know, life.

So without any further delay, here is my finished Plaidish quilt:

Final measurements are 62x79".

The simple quilting follows the piecing and gives a good texture without competing with the design.

It's kind of the obvious choice, but it works.

A couple more shots from when it was hanging:

I've mentioned that the binding was a juvenile novelty print but it was so narrow, you can hardly tell.

I'll repeat myself by saying again how much fun this pattern was. Give it a try! (Details and link below.)

The pattern has stuck in my head and I often think about how to do a one or three colour version. It's fun to see different versions pop up on Instagram. (Check out #plaidishquilt.)

Here's a picture of the quilt on my (queen size) bed:

It generously covers the top, but isn't wide enough to hang over the edge.

Project summary

Started: July 30, 2019

Finished: May 24, 2020

Size: 62"x79"

Pattern: Plaidish by Kitchen Table Quilting

Almost 100% scraps with a few pieces from fat quarters.

Cotton batting.

Walking foot quilting on my Viking Sapphire.

All blog posts about this quilt: link

Scrappy Trip Around the World Begins

Remember the Quilty Adoption Event in April? I wrote about the first item I adopted -- a quilt top that I disassembled and sewed the blocks in a new layout -- and in that post, I mention a second item, but haven't written about it since.

If you follow me on Ingstagram, you will recognize these strips that I adopted:

It was a big box of single 2" strips, loosely sorted from light to dark and a bunch of strip sets already sewn together. There's a project the sewn sets were intended for and I'm still deciding if I will go ahead and make it, or use these strips for something else.

Meanwhile, I took the single strips and sorted them in groups from light to dark.

I then sorted those groupings into five gradations I called light, light2, medium, medium2, and dark because I needed five different groups to make a trip-around-the-world (TATW) block.

I have become enamored with the scrappy TATW blocks popularized by Bonnie Hunter. (Link to her tutorial.) These blocks I'm making have a similar effect but with a little more order to them because of how the lights and darks are placed.

For the first set of blocks (above) I created sets by pulling similar colours from each of the five categories. That was enough to show me that I was going to have to do a little more pre-sorting if the sewing was going to be any fun.

So I took the five gradations, and sorted each one into different colour families.

Some of the strips are in more than one colour group, and sometimes it's a stretch when a fabric is multicoloured but I had to put it somewhere. Above, clockwise from top left, is, purple, blue, red, yellow, and green.

This was the first layout I tried on the design wall, just to have a proof of concept.

The project sat for a while then and while it was sitting, I thought I would try to make strip sets ahead of time so the sewing would be even easier. It was just too hard to see if the fabrics contrasted enough when I grabbed strips while I was sewing.

So, recently, I sat down and pulled out one colour group at a time and made some sets. For the first colour group, I did it just by eye, but then realized I should be putting my camera to use.

In this photo, the strips in colour are a bit of a jumbled mess, but when I convert them to black and white, I think the contrast is just what I need. (In this case, M-M2-D-M2-M, as in medium, medium2, dark, medium2, medium.)

In this next set, I think it looks good in colour, but the black and white shows that the first two fabrics are pretty close in value. (I think I used this set anyway because my choices are limited.) This strip set is L-L2-M-M2-D.

In the next photo, I'm going for another L-L2-M-M2-D, and I think the fourth fabric looks darker than the third in colour. But in black and white, I think they are too similar to use.

The next picture is an example of M2-D-M2-M-L.

In the fourth position, there are actually two fabrics (buttons and a floral). I was trying to see which was better. Even though I think they are the same value, I think I went with the buttons because there was a little better contrast. The floral seemed to mush in with the other florals. And I think it's clear that even though the two reds in the first and third position look different in colour, in black and white, they are the same value.

The fabric strips are all different lengths and it didn't take long to realize that I needed to pay attention to how many inches of each combination I was going to get. For each inch of one strip set, I needed 2 inches of the other two strip sets for each block. I didn't worry about getting it exact but I couldn't be way off either. I sorted a lot of fabric and ended up with sets ready to sew.

Another day I tackled sewing some of the strip sets (below). I had tried to match strips of similar length, and just cut them to match the shortest length for easy sewing.

Once they were sewn I figured out how to iron the seams the right way, and cut each set into 2" pieces.

I stacked up the pieces to make blocks (seen at the top of the picture above), and then sewed those strips together.

And here we have my first set of blocks sewn from this process:

I have since sewn sets from two other colour families, and here they are on the design wall:

I don't know if this will be the final layout, but it's a fun way to put them on the wall for now.

______________________

Linking up with Oh Scrap! hosted at Quilting is more fun than Housework.

Desk Warming Gift

I finished a little something.

We are in the process of moving our "office" desks from the dining room up to our bedroom, now that the bedroom is largely finished.

Troy recently finished his desk top (which he mounts on a pair of file cabinets). When he first sat down at it, he commented that he is going to need a mug rug to protect the desk surface.

Well, that is something I can take care of making! A few days later, I was in the mood for a small project that I could finish in short order and got to it.

I knew I had some leftover half-square triangles (HSTs) from my Merrily Christmas quilt top:

I had a bag of brown/tan HSTs and a bag with the green and red ones. I found the brown ones first, so those are what I used. And happily, that meant they were much less Christmas themed as well!

I pulled out all the HSTs from the bag and played with them until I had an arrangement I liked. Then sewed it together like a simple 16-patch.

I layered it with a layer of cotton batting on top (to absorb any moisture) and then a layer of wool batting on the bottom (to keep the moisture from soaking through). That's the theory anyway; I'll let you know if it works!

I backed it with some of my never ending supply of black leftovers and quilted it in echoed mitered corners.

My machine wasn't too happy with the thickness (or at least, that's what I assume it was). There were some flubbed stitches that you can see on the back.

I used the edge of the pressure foot to guide the distance between the lines and that happened to also cause the lines to fall along the seam lines. I had considered ahead of time whether to do the calculations to make this happen but decided to leave it to fate. And it worked out that way anyway. I wouldn't be surprised if the makers of pressure feet design them that way. (For example, making the edge of the foot 1/4" from the needle position would mean that it would line up with almost all blocks as they are general sized every 1/2".)

That is as far as I got the first afternoon. The next day I took the time to make binding from a piece of grey fabric I bought for my Lucy Boston project but didn't use. There wasn't enough for a double binding, so I just used a single thickness. It's not like this edge is going to get a lot of wear or have to stand up to much use.

I stitched it to the back so that the part that folded over to the front would be longer. Then when I stitched it by machine on the front, the stitching ran beside, but not over, the binding in the back.

I don't usually enjoy stitching binding by machine and am not usually happy with the result. (Those two things just might be related!) But for this one, I hand basted all the way around the front, right next to the fold. Then I could stitch just inside that stitching and nothing had a chance to shift or move. This isn't practical for a large quilt, but it was worth it to me for this project.

So now Troy has a mug rug for his desk, and since he's getting close to finishing my desktop, I have to start thinking about mine! I think I'll go look for those green and red leftover HSTs, Christmas themed or not...

Elephants : Quilted, Bound, and Done!

Last time I showed the Elephant Squares quilt I'm making, it was being pin basted. I think the first time I found time to work on the quilting, I was supposed to be packing for a trip but Troy was napping in the bedroom. What can ya do? ("Quilt" is always the answer.)

I found a rainbow variegated thread in my stash that matched the colours. I'm not crazy about the look of variegated threads, but I was happy to use something I already had and it did match really well. It was a 30-weight (meaning thicker) thread so it did show up nicely on the front.

I put on my walking foot and stitched on both sides of each seam.

I got through the one direction in about an hour and finished the other direction on another day.

I was disappointed that even though I used the walking foot, the fabric was still distorted.

Can you see how the middle seam (from top to bottom between the pink and blue, the left polka dots and right polka dots, and then the green and pink) is lower than the seams on the left and right sides of the polka dots? It definitely was off enough that it affected the stitching going in the other direction because the seam wasn't straight anymore. I'll have to see what more I can do to control the fabric movement (on the next quilt).

I ran into one snaffu. While quilting, the edge of the backing fabric got caught up in the stitching.

I was not happy about the thought of undoing all those seams and sewing them again. (The variegated thread wouldn't match; there would be all these starts and stops in the quilting.) But then I realized that all of the fabric folded back under the sewing was excess fabric. (You always make the backing bigger than the top and cut it off at the end. It works better; trust me.)

So I took some sharp scissors and cut the fabric away right beside the seam:

Then I took a thin tool I have and ran it along the seam on the other side pulling the fabric from under the seam:

Here, no longer a problem:

I did that to the fabric everywhere it was caught under some stitching and got it all straightened out:

Ok, it looks like a mess, but that's all getting cut off anyway!

Once the quilting was done and the quilt trimmed, it was time for the binding. I had been thinking about this a lot because the colours of the front and back aren't perfectly agreeable. I thought about a red to match the backing (or some of the backing itself) but the only red on the front are a few of the elephants. Not enough for a red binding to look good.

I finally decided that I would use the blue from the front. It would match the back well enough. But when I looked, there certainly was not enough blue. (I only started with a fat quarter, after all!) My next idea was to do a scrappy binding with the four solid colours from the front. Would there be enough?

I looked at what I had:

One strip of each colour. But they were a little more than 5 inches wide and about 20 inches long. So I could get about 40 inches of 2.5 inch binding from each of them. Was that enough? I measured a side of the quilt and it was about 35 inches. Since there are four sides at 36 inches and four colours of binding with 40 inches...yes there was enough!!

I cut them up and sewed them end to end.

Since I didn't have a lot of extra, I did a perpendicular seam instead of a bias one. I might have anyway because I liked that the colour changes were straight perpendicular lines instead of an angle.

I decided to sew the binding to the back of the quilt first,

and then flip it to the front to be sewn by hand.

I had been thinking I would sew it by machine while I was making it, but near the end I had the idea to hand stitch it with some visible big stitch sewing with the variegated thread.

I like it! I had some issues sewing down the corners with the visible running stitch until I realized I should sew the miter folds of the corners before I sew the edges down with the running stitch. That fixed it.

And here is the quilt:

It's fun to step back and see all the elephants marching across the quilt. :)

Here's the back (for the record):

I used a solid thread on the back that matched the red. And yes, those are gloves on my hands. Yes, it was freezing. I couldn't feel the tips of my fingers by the time I was done taking pictures. So cold!

I did not planning at all for where the binding colours would land. Sometimes it matched a block,

and sometimes it didn't.

The only thing I did plan for was to end with a green strip so there would be less green when it got trimmed. (Sorry, green. I'm just not that into you.)

I still have to wash the quilt and make a label. But that doesn't keep it from being done. :)