Joining Together

I enjoy reading Cynthia's blog, Quilting is more fun than Housework, and a recent post mentioned a block drive for Covered in Love. I went to check it out and discovered Kat at Kat and Cat Quilts had called for string blocks that she calls Mix Tape, click here for her tutorial.

For those of you who just asked yourself some version of, "What is a block drive?" This is a call for quilt blocks that will then be assembled into a quilt. Blocks are easier to get done in a short time and easier to mail. Added all together they can make quilts in a quicker time than one quilter making the quilt from beginning to end. (And it's fun to work on projects together.) Usually a block drive will have a theme specified--maybe by colours used, maybe by the design chosen. 

For whatever reason, this block connected with me at just the right moment and I pulled out some scraps to make some. Coincidentally, the same box that held all my scraps already cut into strips also held some scrap batting pieces. These blocks were made directly onto the batting so that was perfect.

It's easy to sew pieces of batting together to make the size you need. I had a long strip (cut from the edge of a quilt) that was about 10 inches wide but I needed a 13.5" square. So I cut 13.5" pieces and then sewed a strip to the one size to make up the difference. Whiz it through the sewing machine on an extra wide zig zag and you're done.

As long as there are no gaps, you don't have to be too worried about it--whatever quilting is going to be added will hold the batting in place.

Friday night I made five blocks and then cleaned up thinking I might be done.

The next morning I wanted to make more, so I did. I made them two at a time so that I could alternate between them for sewing, which is more efficient. What I did not do was start a whole bunch and commit myself to having to finish them!

I cleared out my yellow and orange strips and most of those batting scraps by the time I was done.

I made 11 blocks all together.

I didn't realize at first, but I was joining this drive on the last weekend. (These were the January-February blocks.) I sent an email to the organizer and she got back to me right away letting me know they weren't due February 28. So I figured whatever I got done on the weekend, I would mail on Monday (March 1) and that would be good.

It makes quite a mess as I'm rifling through the strips looking for ones that are long enough for the next place and that make a balanced-looking block. By the second orange block, I didn't have a wide variety so I wanted to make sure I didn't put the same fabric beside itself.

The examples I saw online seemed to have skinnier strips. Some people save even the thinnest ones. I just worked with ones that I had pre-cut into 1.5", 2", and 2.5" widths, and most of what I had left were the 2.5". It was tempting to think I wasn't doing it "right" but then I remembered that they intend scraps to be used--they must be used to working with whatever they get!

Here's evidence of one of the hazards of working with batting on the back of the block:

Fabric sticks to batting like velcro so anytime I put down the block, I risked fabric sticking to the back and not noticing it. At some point I saw a wide piece of batik fabric was sewn onto the back of this block. I was not about to take out the seam, so I cut the fabric right next to the stitching. If it weren't batik, I could have teased that tiny remnant out of the stitches but batik is too densely woven. It won't do any harm there.

Here is an idea of what a quilt of these blocks might look like:

Kat does a different drive every two months so maybe I'll jump in on a few more this year.

Joining up with Oh Scrap linky party at Quilting is more fun than Housework.

Scrappy Trip Around the World Blocks

Remember this project?

This was how many blocks I had done in August.

For the next set, I matched up more strips sets sorted by colour.

My sister had given me this color tool and I finally thought to use the red and green filters to check values so I didn't have to take a hundred pictures and convert them to black and white.

That saved a lot of time!

By the end of December, I had this many blocks:

At this point I was running out of darker fabrics because the blocks use a lot more of it than the lighter fabric. So I thought, maybe I should make some light blocks, like this:

I put it on the wall to see how it would look:

I also wondered about making every other block a light one.

We'll see.

In mid-January, I worked on the heart. I didn't like the dark lines going through the middle.

I made some replacement blocks:

but I still didn't like how it looked. The diagonal lines didn't match up; the red is too thick on those blocks. So I took apart the blocks and reassembled them:

That's better!

I'm not promising this quilt will even have a heart on it, but if it does it will be one I like! ;)

And now the blocks are packed away in a box as I needed to put my Lucy Boston up on the wall. The ideas can marinate while I work on other projects.

Scrappy Trip Around the World Begins

Remember the Quilty Adoption Event in April? I wrote about the first item I adopted -- a quilt top that I disassembled and sewed the blocks in a new layout -- and in that post, I mention a second item, but haven't written about it since.

If you follow me on Ingstagram, you will recognize these strips that I adopted:

It was a big box of single 2" strips, loosely sorted from light to dark and a bunch of strip sets already sewn together. There's a project the sewn sets were intended for and I'm still deciding if I will go ahead and make it, or use these strips for something else.

Meanwhile, I took the single strips and sorted them in groups from light to dark.

I then sorted those groupings into five gradations I called light, light2, medium, medium2, and dark because I needed five different groups to make a trip-around-the-world (TATW) block.

I have become enamored with the scrappy TATW blocks popularized by Bonnie Hunter. (Link to her tutorial.) These blocks I'm making have a similar effect but with a little more order to them because of how the lights and darks are placed.

For the first set of blocks (above) I created sets by pulling similar colours from each of the five categories. That was enough to show me that I was going to have to do a little more pre-sorting if the sewing was going to be any fun.

So I took the five gradations, and sorted each one into different colour families.

Some of the strips are in more than one colour group, and sometimes it's a stretch when a fabric is multicoloured but I had to put it somewhere. Above, clockwise from top left, is, purple, blue, red, yellow, and green.

This was the first layout I tried on the design wall, just to have a proof of concept.

The project sat for a while then and while it was sitting, I thought I would try to make strip sets ahead of time so the sewing would be even easier. It was just too hard to see if the fabrics contrasted enough when I grabbed strips while I was sewing.

So, recently, I sat down and pulled out one colour group at a time and made some sets. For the first colour group, I did it just by eye, but then realized I should be putting my camera to use.

In this photo, the strips in colour are a bit of a jumbled mess, but when I convert them to black and white, I think the contrast is just what I need. (In this case, M-M2-D-M2-M, as in medium, medium2, dark, medium2, medium.)

In this next set, I think it looks good in colour, but the black and white shows that the first two fabrics are pretty close in value. (I think I used this set anyway because my choices are limited.) This strip set is L-L2-M-M2-D.

In the next photo, I'm going for another L-L2-M-M2-D, and I think the fourth fabric looks darker than the third in colour. But in black and white, I think they are too similar to use.

The next picture is an example of M2-D-M2-M-L.

In the fourth position, there are actually two fabrics (buttons and a floral). I was trying to see which was better. Even though I think they are the same value, I think I went with the buttons because there was a little better contrast. The floral seemed to mush in with the other florals. And I think it's clear that even though the two reds in the first and third position look different in colour, in black and white, they are the same value.

The fabric strips are all different lengths and it didn't take long to realize that I needed to pay attention to how many inches of each combination I was going to get. For each inch of one strip set, I needed 2 inches of the other two strip sets for each block. I didn't worry about getting it exact but I couldn't be way off either. I sorted a lot of fabric and ended up with sets ready to sew.

Another day I tackled sewing some of the strip sets (below). I had tried to match strips of similar length, and just cut them to match the shortest length for easy sewing.

Once they were sewn I figured out how to iron the seams the right way, and cut each set into 2" pieces.

I stacked up the pieces to make blocks (seen at the top of the picture above), and then sewed those strips together.

And here we have my first set of blocks sewn from this process:

I have since sewn sets from two other colour families, and here they are on the design wall:

I don't know if this will be the final layout, but it's a fun way to put them on the wall for now.

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Linking up with Oh Scrap! hosted at Quilting is more fun than Housework.

Hanging at the Shipshe Quilt Show

I've shown you a bunch of quilts from the Shipshewana Quilt Show and this post will be more specifically about my experience at the show.

I took the opportunity to go to the awards ceremony on Tuesday evening. Anyone who has a quilt entered is allowed to go. I had no expectations of getting an award, but I like to go because I think it's part of the experience and because it's a chance to look at all the quilts before anyone else!

After the snacks and the presentations, I walked around looking at everyone's quilts and looking for mine. I found it in a corner:

It did not garner a lot of attention because you walked up the aisle facing the fancy one on the right. Also, the lighting was bad. Unfortunately, it was bad for a lot of quilts.

I learned that it is hard to take a selfie with a huge quilt!

My next event was a workshop on Thursday with Pat Sloan called, "Scrap Happy Trash Bag Quilts". First off, she is an excellent teacher. The class had a good pace and a proper amount of structure.

Chatting before class got started.

In the morning we did exercises in "making" fabric from scraps. First we did strips - pick a colour or set of fabrics and put strips together. Later we would use this fabric in a block.

Then we did "slab blocks" when you sew smaller pieces of fabric together to make squares or chunks that you can then cut up as if it were just a piece of single fabric.

I have no idea if I was trying to get
a picture of something specific or
just a general view of my work area.
The sewing machine was on the right.

I made two blocks because it is easier to work on alternating blocks than to have to cut your thread after each seam.

After the allotted time, we gathered together to show our blocks and then hear and see what was next.

And that was curved strips. I won't get into each step, but you sew some strips together with wavy seams,

 and you end up with pieces like this you can use:

You might think of them as wonky stripes.

The final exercise of the day was to make a star block out of our new "made fabric". The strip sets we started the day with were for the star points and we could use what we wanted for the centre square.

Some used their strips sets also for the centre; some used their slab blocks; some used a solid square; and I used my new wavy strip pieces:

With a little more time, I would have been more careful about stripe placement, but it's still a pretty block. I may finish it into a wall hanging; it would match my Crossed Canoes on a Starry Night.

That evening I went to a lecture by Jinny Beyer on Color Theory.

I was very interested in all she had to say, and of course, the quilt samples are the best part.

She showed these three quilts early in the evening and had us vote on which we liked best. They are three different colour choices for the same pattern.

At then end of the evening, she explained the choices in each one and it was very illuminating. The bottom line is that if you follow the common advice to pick a fabric with colours you like and then pick other fabrics to match it, you are not going to get the best looking quilt.

On Saturday I was able to visit the show floor again, this time with my sister. Having someone with you means you get pictures of you and your huge quilt. :)

As we were walking away, this couple approached my quilt and the man touched it. This is a serious no-no at quilt shows.

I commented on it as something funny (I was not upset and did not intent to report him or anything) and my sister says, "Just think of it this way. He was so compelled by your quilt, he could not help but touch it."

As a bonus for the day, my sister and I ended at Make South Bend to make some stamped rings.

Knit Purl Repeat / Sometimes it's bigger than me

And we may have done a little goofing around for the camera:

That wraps up a fun week at the quilt show.