Showing posts with label Boxy Tee. Show all posts
Showing posts with label Boxy Tee. Show all posts

Tuesday, November 26, 2019

Boxy T Finished

I had a couple chances of getting some better shots of my Boxy T on a nice (warm) day but I'm afraid I'm out of chances now until spring. So instead, I'll show the pictures I got on my phone and wrap this project up.
What is there to say? I love it.

It wears like a fluffy cloud of heaven. The cashmeres, wools, and silks feel warm on my skin while the loose shape and lack of sleeves keeps it perfect for warmer weather.
My favourite way of styling it was with white jeans and my Missoni zig zag slip-ons.
As fall came on, it also worked with some tall leather boots.

I was planning to crochet along the seams on the reverse side so that the garment could be reversible, but once I was wearing it, I didn't see the point. I like the "purl" side facing out as it is and there wasn't really anything to gain by being able to wear it the other way. And all the detail of the twisted trim wouldn't be visible.

So I'm calling this done. It was a pleasure to knit--a fun experimental play with colour--and is a pleasure to wear. What more could I ask?

Project Stats
Started
: 6 Jun '19
Finished: 5 Sep '19
Pattern: #15 Boxy Tee by Laura Bryant (in Vogue Knitting Spring/Summer 2019)
Materials: (to be added when I figure it all out)
Ravelry project page: Boxy Tee

Tuesday, September 3, 2019

Boxy Tee Together

I know I have been doing and showing a lot of quilting lately, but I have picked up a knitting needle now and then.

I finished the knitting of my Boxy Tee and then blocked the pieces so they would be easier to sew together.
I was pretty disappointed to see that the purple bled. It's especially noticeable on the pink and light blue:
It was one of the yarns purchased as yarn and not harvested from a second hand sweater. I didn't even think about it and left the pieces soaking in a pot for a long time. If I had been worried about it, I could have soaked them flat instead of crumpled up, would have removed them quicker and could have used a colour catcher sheet. I'm going to block it again after it's seamed and the trim is on so we'll see if I can remove any of the excess dye. I don't hold too much hope though.

Then the pieces sat for quite a while. 1. I got absorbed into some quilting projects, and 2. I wanted to ponder which side to consider the "right side" and decide how to sew it together.

Here's a comparison--front:
 back:
The colours blend better on the "purl" side, but I have a hard time not thinking of it as the "wrong" side (which it usually is). It's hard to enjoy wearing something if your brain is constantly screaming, "It's inside out!" Also, the fabric tends to balloon out in the direction of the purl side which affects how it hangs on the body. With the knit side out, the garment tends to cling (in a good way). With the purl side out, it tends to pouf away from the body. This does not conform to traditional ideas of what "flatters" you, but maybe I shouldn't conform to the idea that skinnier is always better anyway.

In the end, I decided to try a reversible garment. I'll probably only wear it the one way (purl side out) but I'll feel better knowing I could wear it the other way. :)

The pattern has you pick up stitches along the edge of both pieces to be seamed together and then do a three-needle bind off to attach them. I decided this would look a lot like a single crochet seam and went with that instead.
The crochet seam has the added advantage that it looks the same on both sides since the selvage stitches (or seam allowance) are encased in the crochet stitches.

At first I was crocheting through just the selvage stitch (I slip the first stitch, so you get a nice chain up the side) but found that it wasn't overly neat. For one thing, sometimes I wasn't consistent about it, so I'd get odd spots like the one highlighted below:
And in other places, there were large gaps because the selvage stitches were loose. By the end, I was crocheting into the first proper stitch and it was looking better.
(Although in these pictures it is obvious it still needs a good blocking.)
The crochet pick up also gave me a place to hid all the ends.
With all the colour changes, there were a lot! I just pulled them through the crochet loops for about an inch and cut them off. The crochet is quite tight and doesn't stretch much so they are quite secure. I worked in the ends on each seam as I finished it so I didn't get stuck with a mountain of them all at once.

While reading through project notes of this pattern on Ravelry, I noticed another knitter used single crochet for the seams, but she didn't like that the neat "V"s of the stitch sat to the side and weren't visible from the front. In the picture below, I have folded the garment so the Vs face forward (nice and pretty). If you look at the picture of the seam above (the one after the knit/purl comparisons), you can see that when the garment is flat, you see the side of the stitch, not the top.
Although, I would love a nice neat row of Vs showing as well, I am not bothered by this. The  main intent of the pattern is to get a strong contrasting line of stitching on the seam, and you get that. What I don't like as much is the way it looks on the other side. It's more obvious in some places than others, but horizontal bars of red are visible and it doesn't look great.
I am planning to single crochet along those bars so that this side with have a "mock seam" visible and will have the same look as the pattern intended.

Once the seams were sewn, I could work on the armhole, neck, and hem trim. It was an interesting garter hem with a braid detail and then an i-cord bind off. (Talk about finishing a run with a marathon! It's been a lot of knitting to "finish" the garment!)

And as an added bonus, doing a four colour braid results in a big tangled mess of yarn.
For every stitch, you twist the working yarn. It's done in the same direction across the whole row, so you get a lot of built up twist. (Many times, the trim is done over two rows, twisting the opposite way on the second row which straightens out your yarn.) But there was only one row of twisting in this case. The good news was that I could cut three of those colours as soon as it was done and untangle the yarn.

The  multi-colour trim also left me a lot more ends to work in!
I couldn't work these into the crochet stitches if I wanted to keep the garment reversible. I tried to hide a lot of them under the twisted stitches of the braid, but now it looks like the braid isn't tight enough to hold them in place; a lot of them are showing their ends already. I may have to anchor them down better.

For the bottom hem, I could pick up the stitches from the provisional cast on that the front and back pieces were started from. When I was completely done the hem, I realized I had made one mistake:
On the first row, I knit when I should have purled, and it put the "two-colour" row of garter on the stockinette side. I would have rather had it on the reverse side with the rest of the two-colour rows.

Then the stockinette side would have had two neat rows of garter in each colour and the reverse side would have had alternating two-colour and single colour ridges.
Oh well. It's a tiny thing and likely never to be noticed by anyone. It would have made me happy if it was the other way though.

As I put the garment together, I was sure it was going to be much shorter than I wanted it to be. I figured it would just hit my waist band. But when I tried it on, it was fine. Not quite as long as my impression from knitting the back and front pieces (since they're only half the width, they give a very long and skinny impression), but comfortably long.

This was part of the reason I made the hem longer than indicated in the pattern. (I added an extra garter ridge in each colour.) It did help with the length, but I also think it is in better proportion to the whole garment now too. A skinny trim is ok on an armhole or neckband, but I generally prefer something with more "heft" (in visual appearance, if not in weight) for the hem.

All I have left to do is finish working in the ends of the neckband and give it another dunk to block it. I am thinking about stretching it a little more vertically when I dry it this time. I'll measure my current gauge and see how much different it actually turns out.

Thursday, July 11, 2019

Obsessions

If I knew how to add audio to my posts, you would have that Animotion song in your head for the rest of the day. Oops I looked up a link and now it is in my head. Click this link if you're curious, but at your own peril.

I currently have two crafty obsessions. I recently wrote about one--the bright stars on black quilt. I have finished quilting all 18 of the centre stars. While working on them, it became obvious that I would have to stitch around the border stars as well.

Outlining the outside seemed obvious, but I wasn't sure what to do in the centre square. I drew an eight-pointed star in the same shape as the centre stars, but it was too complicated. Then I tried a square
and an eight-pointed star which matches the border stars instead of the centre ones.
I went ahead and stitched them. I was impatient to stitch and wanted to see what it would really look like--not just a drawing. I put both examples on Insta for an informal poll and the general consensus agreed with my eventual conclusion--the simple square was best.

But no, I didn't bother to take out the stitched star. I left it. Since then I have stitched the stars along two and half sides and have added a few different centres here and there. Mostly different star shapes.

It's been fun choosing floss to match the stars. I've taken to choosing for a whole side at once while the floss is out. Then I can put it all away for a while.
This project has taken over my couch, coffee table and two side tables (one holds supplies and the other supports the quilt in front of me). These little stars are so addictive. They don't take long and I am compelled to start the next one once one is finished.

Before this quilt, I was obsessed with a knitting project. I had it with me yesterday for a car ride and it's just as compelling despite my quilting break. I'm working on the Boxy Tee from this year's Spring/Summer Vogue Knitting. You can see a picture here with my first two swatches:
It's made with two strands held together. You start with two of the same colour and then switch out one strand for another colour. Then after a few rows, you work with two strands of the second colour. Et cetera. This gives a quick and dirty blend from one colour to the next. If you chose two similar colours (like the pink and peach in the magazine picture above) the blend is more subtle.

Most of why I love this design is the colours they used but I wasn't going to buy the yarn for this project. I have lots of lace weight yarn ravelled from sweaters and left over from other projects and wanted to see what I could do with my existing stash. Above you can see my first two swatches. The yarns were too thick in the top one so I rejected those. A few in the second one were acceptable but some didn't work because of their fibre content.

I narrowed to the yarns that would work and did a swatch to find the right needle size.
I was still on the fence about whether the project was worth doing--would I wear it once it was done? I didn't really think so. But I continued because I still wanted to pursue the experiment. I calculated yardage and assigned colours to the pattern's A, B, C, and D designations. This was my first start:
I didn't like it. The colours weren't really blending. It would look better from a distance (how most people would see a shirt I'm wearing, after all) but I didn't like it so I took it out.

New plan. I narrowed the colours further and put them in an order I thought would aid the blending:
and started again.
I didn't like the way the pattern blended the colours, so I tried a different blend pattern from the pink to the blue, and a third blend from light blue to dark blue. I didn't like the blue blend, so I took it out and did it again like the pink/blue blend.
I wanted a variety in the blends so I wrote up ways to do it over 30 rows, 26 rows and 19 rows. I then wrote up a whole new stripe/blend pattern for each piece, how many rows to do of each colour and which blend pattern to use from each colour to the next.
This is the first piece, the right side of the back. I still wasn't sure if this would be a wearable piece, but I knew there was no stopping now.

In the second piece (left back), I switched the starting point in the colour sequence and added a pop of lime:
When they're sewn together, it will look something like this:
When I took these pictures, I was this far on the third piece (right front):
but by this writing, I'm almost done this piece too. For this one, I switched up the colour sequence (a little).

By now I know I'm going to finish the piece and even if I don't like how it looks on me, I'll wear it. The cashmere, wool, and silk of these yarns are making a wonderful light fluffy magical fabric. It will be a dream to wear.

One thing these projects have in common is changing colours over the piece. This is a big reason why it's so compelling. Everyone knows a striped garment is faster to knit than a solid one. You push yourself to finish and/or start the next stripe and before you know it, you've knit a whole lot.

May I suggest?

I Say! or at least I did once...