Lucy Boston Milestone

Since August of 2019 I have been working on sewing the sashing around all 56 of my Lucy Boston Patchwork of the Crosses quilt blocks. My Instagram feed has been an interrupted parade of blocks with their new grey perimeters, each one counting up to the finish.

Block 32 of 56, finished Apr 15, 2020

Block 35 of 56, finished Apr 27, 2020

Block 44 of 56, finished Sep 6, 2020

And finally on Sunday, the last one!

Block 56 of 56, finished Feb 7, 2021

At some point I shared the concern that I might get bored of sewing (seemingly) endless grey honeycombs, but really, I didn't. I enjoy the stitching and it was a lot less taxing than when I had to match the fabrics in the blocks! Each block didn't take too, too long so I had regular injections of feeling like I had finished something.

You would think using solid grey would preclude any drama, but I managed. When I bought the grey fabrics, I was planning to use different shades from white to dark grey. After I bought them, I decided the white wasn't going to work and changed my plan. Last April, I pulled out the fabrics to compare what I needed with this new plan to what I had.

You can see the fabric I labeled "3" just has a couple strips left; it was not enough.

Glad that I kept everything organized and labeled, I knew exactly what to order. I made a trip to the store where I got it on the off chance I would get fabric from the same bolt, and they didn't have it any more. Being my last option, I ordered some online and just hoped it would match what I had. Dye lots in yarn is a real thing (as in different batches of the same colourway won't be the same) and I thought that might be true of fabric too. When I got it, I tucked it away because I wasn't in a cutting mood and had plenty of other blocks to sew.

At the end of the year, I got through sewing all the other blocks and finally needed to cut strips from grey 3. But I couldn't find the extra that I had bought earlier in the year. I searched through my maker space and the boxes of my fabric multiple times and could not find it. I finally decided it wasn't worth my time to keep looking and ordered more. Even further removed in time from the original purchase; even more chance of the dye lot not matching.

I received the new fabric and promptly cut it into strips, cut out the honeycomb shapes and glued the 138 honeycombs I needed to finish. I pulled out the block that was waiting to be finished and set the first honeycomb in place:

It didn't match!!

I was so disappointed. And wondering why I didn't check before I cut and glued all those honeycombs when I was already worried the colours wouldn't match!

When I was ready to face it, I tried to find a solution. With some research, a few different things made me suspicious that I mixed up the names. One of them being that fabric I couldn't "find" from April, but funny enough, at the same time I had more of grey 2 than I thought I should!

Now, having an idea of what the grey I needed was called (I suspected I had mixed up the names of grey 2 and 3 but couldn't be sure), I took samples of the fabric to a different quilt store. I don't normally shop there because it's far away, but I was in that city for something else and made the stop.

The shop doesn't have a particularly large section of solids, and they only had five greys. And only one of them was from the manufacturer I needed. And. It. Was. The. Colour. I. Needed!

These colours match!

I was very happy about that, let me tell you. I could have tried an online order, but finding it in person and being sure was so much better!

After that it was simple work to cut and glue another 138 honeycombs for the remainder of my blocks.

Here's a pic of all of the blocks hung together:

You might notice I have also started to sew some of the black connecting pieces between the blocks. And I have started some of the crosses too:

All the centers come from the same fabric, but there are different circle designs.

I'm using three different fabrics for the arms of the crosses, the three bottom ones in this picture:

The top one might be used in the final border.

In a couple places, I have sewn blocks together to get a feel for that:

The lower horizontal seam is sewn

The upper horizontal seam is sewn

I'm still not sure if I'm going to sew it all together in rows first, which is what I see other PotC makers doing online, or try to sew it into sections. Or maybe spiral out from the center.

For now, I'm sewing crosses, which go really fast compared to sashing a block (16" of seams to sew instead of 64"!) and considering how to finish the outside edge. The quilt is visible from where I sit and stitch, so it's easy to stare at it and ponder my options.

Bright Diamonds Quilt Top Assembled

When you last saw this quilt (in 2015), it was scattered over the floor after it fell off my flannel sheet design board. I thought the cotton just didn't stick to the flannel, but I later realized the window was open and the breeze would get behind the flannel and flick it against the wall, effectively tossing off all of the blocks.

I got busy with work or whatever and put these blocks in a box and didn't take them out again until last week.

It being winter (and freakishly cold), I didn't think an open window would be a problem if I used the design wall. I laid out the blocks again, moved them around a little bit and ended with this:

The diamonds have to be sewn together in diagonal rows. It's not any harder really, but it does take a little more thought to make sure you don't mix things up. I took the blocks off the wall from top to bottom in the rows from upper right to lower left. I pinned a number on them to indicate which row they were and then managed to sew them together. (I only put one row on upside down and caught it soon enough that I didn't do any more seam ripping than necessary.)

I put the completed top back on the wall and decided it was too narrow. I'm aiming for a single (I think that's the same as a "twin") and it was less than 60" wide. I decided to add half blocks to fill in the spaces on the right and left sides. This meant putting together more blocks.

I pulled out the fabrics and put together five more diamonds. I cut them in half to use one half on each side and cut two of the halves in half again for the four corners.

The quilt police would say that you can never make a block and cut in half to use like this because it doesn't allow for a 1/4" seam allowance. So you're supposed to make a partial block just a little bigger than a half block. With this pattern, I just don't have to be that fussy. The points of the main diamonds (the inner ones of each block) won't be cut off and no one will care that the border is cut off 1/4". Now that I've proven to the quilt police I know what they know, we can move on.

On the first side, I tried to "insert" the half diamonds with Y seams and without taking out any of the existing seams. I got it done, but it's not very pretty. On the other side, I did the extra step of undoing a couple inches of the existing seam before adding the new half block. It did take a little more time but it was less fiddly.

I thought about ironing all the seams between the blocks open so that they would be nice and flat and no block would be more dominant than another, but I ended up pressing to one side and furling the seams.

You can see the intersection circled in white. Sorry to keep showing it, but I still love the effect of this method! And since each block ends up with two seams pressed in and two pressed out, none of them dominate.

While I was inserting the blocks, I discovered that one of my border strips had a little cut in it. The fabric was cut just about to the seam.

This is probably an "overcut" from cutting a previous piece that I missed when cutting this strip. I decided to mend it instead of replace it, and just stitched it to the other piece of fabric in the seam allowance. Now there won't be any pressure on the cut and it shouldn't tear any further. The seam allowance will be slightly thicker but it won't be noticeable.

Once the top was together, I trimmed the points from the edges and sewed a line of stay stitching around the outside.

This helps prevent the quilt from stretching at the edges, helps to lock any seams that weren't backstitched to prevent them from popping open, and keeps seam allowances in place as you layer the quilt.

And then I could call the quilt top done:

I think I know how I would quilt this and (unfortunately) it isn't really suited to using a longarm machine, so that means quilting it on my home machine. But I am also considering having it done by a professional longarmer with a computerized machine. I have an idea how I would like that done as well so I'm going to get a quote.

So how long does it take to make a quilt? I bought the fabric over a couple days in 2014. I cut and made the blocks in a week in 2015. And I pieced the quilt in a week in 2018. So that's four years for a quilt top, right? :)

While I was adding the half blocks on the sides, I stitched some scraps together in between each seam. (This saves you from pulling out a few inches of thread at the end of every seam and saves you from cutting those ends at the beginning of each seam.)

I ended up with a 10" block and some units that can be used in a future block or other project. Slab blocks like this are so much fun. Sticking with one colour at a time makes them surprisingly versatile, but I have no particular plans for this one.

Sleeves + Seams = Sweater and Shipped

It is finally finished! It only took two years....

Well, sometimes that is what it takes. The main hold up for this one was that the colours I had weren't right for any kind of striping but there wasn't enough of any one colour to use. I decided I could dye two of the colours, but that didn't get done for a long (long) time.

I did finally get to it earlier this year and was able to continue the sweater. Fortunately the notes I made in the printed pattern, which was more like a recipe than a pattern, gave me enough information to carry on.

Last time you saw this sweater, the front and back were done and the collar was knitted on. Everything was ready for the sleeves.

Yes, the sleeves.

The first problem was to address the amount of yarn I had in each colour. I first attempted to knit them in the same stripe pattern as the body, but I didn't have enough of a couple of the colours. I worked on both sleeves at once so I could know right away if I had enough. When I realized I didn't, I had to rip out both of them and decided on a different striping pattern you'll see in a minute.

Then I had decisions to make about the shaping. The pattern called for sleeves with flat tops - no armhole or shoulder shaping at all. This works, but it's not a very nice fit. With wool this thick, it would be especially uncomfortable because of all the unnecessary bulk under the arm.

So I worked on figuring out a shaped sleeve cap that would work. Hmmm, I don't know what I was thinking the first time, but you can see it on the left:

If you can't see how wrong that shape is, let me assure you that it is way wrong. Of course, I had to try sewing it in anyway just to see if it would work. It didn't. So I put it aside and worked on the second sleeve, making a few improvements. You can see it on the right - much better. Once I ripped out the left one and knit it to match, I was able to sew them on to the body.

I decided to use a thinner and stronger wool to sew the seams. As I mentioned before, the yarn it is knit with is a single ply and doesn't hold up very well for seaming. It would also make the seams much too bulky. So I grabbed a leftover ball I had in a sort of "neutral" matching colour and used it instead.

Here is a shot of the mattress stitch before I pull out the slack:

Give a gentle persistent pull, and your seam is all sewn up:

You can't even see the sewing yarn anyway. Here is the seam from the inside:

Still a little bulky. Sometimes people will sew the seam using only half of the selvage stitch instead of the whole stitch. That would cut this bulk in half. I decided not to do it because I didn't think it would work well with the slipped stitch selvage stitches that I do.

Here is a shot of the sleeve seam as well:

And here is the entire sweater:

I don't think you can tell that purple strip had to have surgery:

I adapted the collar of the pattern and I think it worked out well:

I finished the sleeves and hem with a garter band. I prefer it lately to ribbed bands and it matches the garter collar.

Project Stats
Started: 7 Jul '15
Finished: 17 Sep '17
Pattern: The Steppe Ahead Sweater by Irina Makarow
Materials: Various balls of Lopi, picked up here and there.

Once this was done, I felt it was worth sending a box of woolly goodness to Wool-Aid.

The organization was just recently able to reconnect with a monastery in Gamrau, India. We haven't been able to send to them since 2015. We didn't know why but now know it was because of internet problems and no one who spoke English. Somehow a sponsor in Belgium is now able to act as a go-between and organize things.

There are now 32 young monks, ages 7 to 17 living there (up from 19 a few years ago), plus six elders. Winter weather in Gamrau is severe, and this group has always struggled to stay warm. They have restrictions on what colours they can wear, but my red socks will work perfectly. (And don't worry, the other socks and sweaters will work perfectly well for another group.)

After finishing this sweater, I didn't have a big quantity of any of these colours. I sent them to my sister who's always knitting hats so she could use them up. It will be fun to see what she comes up with.

ETA a picture of the hats she made:

She had them done so fast she was able to get them to me before I shipped the box!